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Sunday, October 25, 2015

Tip of the Week: Slow and Steady Standing Bow

Bikram Yoga SLC instructor Mike Schenk

A common mistake in Standing Bow Pulling Pose is rushing to get into the fullest expression of the posture.  If you can do the posture with your best form and alignment; depth will come with time. Bikram says, “Take the time to get yourself firmly grounded and set on your standing leg before you bring your body forward and down. When you begin to move, take your time and stay in control. The most important advice I can give you here is don’t be in a hurry to dive into this position.”

The standing leg is your foundation. Keep the knee locked with a firm contraction of thigh. If you don't feel that you have the balance to go forward yet, stay in this position until you have a firm foundation.

Once you begin kicking against your hand, your knee should go straight back, your hips should stay level. The arcing of the spine, keeping balance, and holding the knee and hips in the right alignment should be your main focus before you begin to lower your upper body. All of this is difficult to do if you aren't concentrating on each element as you move slowly into the posture.

Even advanced students should, from time to time, slow it way down. Make sure that you can stop the posture at any moment and hold it still, move a millimeter more, then more, until the final posture is inevitable.

Saturday, October 17, 2015

Tip of the Week: Don't Rotate Hips in Balancing Stick

In Balancing Stick, pay attention to your hip alignment. Strive to keep both hips in one line from the side. Typically the lifted leg will want to pull that side of the hip up. If this happens, adjust & have both hips aligned, parallel to the floor. Make sure one hip does not lift higher than the other. This will guarantee a beautiful hamstring stretch on the standing leg, will keep your spine straight, and will help to keep your balance in the posture. 

 In the above photo, the hip of Sara's lifted leg is rotated upwards making it difficult to maintain her balance. 
 In this photo, Sara's hips are in one line from the side, parallel to the floor. She is now able to maintain her balance while stretching the hamstring of her standing leg.

Sunday, October 11, 2015

Tip of the Week: Progress Through Journaling

"Your journal, like your mat, is your refuge, a place where you can let your guard down, discover who you really are, and celebrate that discovery." - Bruce Black



Have you ever thought of journaling to monitor your progress in your yoga practice? Keeping note of how you're feeling in your mind or body can help to deepen your practice both on and off the mat. The following is a journal entry that student Tanja Fraughton shared with us. It's such an endearing reminder to honor who you are and where you are today, and to remember how far you've come. What are you doing today that would make the younger you proud?

Journal entries: Notes from yesterday are my instructions for living today. 

 12/29/2013

It's fun to witness personal evolution. To be brave enough to release old ways of experiencing life. To dive deep into uncharted territory with full confidence in the ability to come out alive and refined by the experience. Having been so diligent at writing in my journal as a child has allowed me to actually witness where things changed in my outlook. It's also been a gift to see that I've been consistent in some core beliefs and attitudes that are innate in my personality. A resiliency and determination when no one else seemed to notice. I get to share those moments with the me of now! Often times throughout my journal entries I would write notes to my future self asking if I'd accomplished certain goals. Today as I was in yoga class and felt like surrendering in a couple different postures, I found myself pushing through so as to make my young self proud. It was cool! It's like I have access to a time machine to get to know my young self and learn to love her so as to learn how to truly love myself of now. I can see where my younger self started to struggle and develop fear due to unfortunate circumstances; I can comfort her in a way that would not have been possible had I not kept a daily account. I'm very blessed in life. I am grateful for who I've been, who I've become, and who I'll always be. The journals are a treasured gift. The nicest thing I could have ever done for myself.

~Thank you Tanja for giving us a peek into your private journal. You are an inspiration to us all! 

Thursday, October 1, 2015

Tip of the Week: Set Your Intention




Today's Tip of the Week is to "set your intention". We hear this in class all the time, but what exactly does it mean? Setting an intention means to set a clear goal in your mind of what it is you want to accomplish.  What is it specifically that you need to work on in your practice? Is it breathing only through your nose? Then set your intention for the class to keep your mouth closed through the entire class, focusing on consistently breathing in and out through your nose in a calm manner. 

Do you keep falling out of the standing postures? Then set your intention before each posture by telling yourself, "I am not going to fall. I'm locking my knee, I'm going to stay balanced, I can do this." Have a clear mind set that your intention for your practice is to stay focused on your balance.

Throughout class are you dreading the moment your instructor says "Camel Time!"? Then before the class starts, set your intention to give 100% in Camel Pose today. Even if you can't reach your ankles, you are going to reach back as far as you can because this just might be the day it happens.

Know that you can do anything you set your mind to. Do more than just going through the motions in class. By setting an intention and following through with it, you will feel even more of a sense of accomplishment at the end of class, and your practice will become stronger.

Tuesday, September 22, 2015

Tip of the Week: Taking Yoga Off the Mat and Into Our Lives


There are so many ways you can take your yoga off the mat and into your life. The following article by Anna Coventry on doyouyoga.com gives us just a few ways to incorporate our yoga practice into every moment of our day. 




When I was in Hong Kong, I remember walking past a Buddhist monk who was sitting cross-legged, meditating in one of the busiest places in the city. I was mesmerized by her. With literally millions of people hustling and bustling around us, I was almost getting whiplashed trying to keep up with all the comings and goings. Yet there she was…silent, unmoving and utterly peaceful.

That lovely monk got me thinking. Yes I feel calm and peaceful when I practice yoga and when I meditate, but did I feel calm and peaceful right then and there in the middle of a busy Hong Kong street? Er, no I did not.

It’s one thing to find a sense of tranquility in a yoga studio, surrounded by beautiful pictures and statues, relaxing music in the background and the soothing sound of a teacher’s voice guiding you through relaxation. But what happens afterwards? Do we take what we have learned in class and apply it to our life off the mat, or do we fall back into old habits like getting pissed off with traffic jams, frazzled about deadlines at work, or cranky with our partner?

As yogis, we have the opportunity every time we practice to learn something new about ourselves and the way we move, think, act and breathe. We can have some incredible ‘aha’ moments during class but the real benefits come when we can take those moments with us outside of the studio.
There are countless ways of doing this, but here are 3 really simple but really effective ways of taking yoga off your mat and into your daily life.

1. Connect With Your Breath

 

Breathing is the most important aspect of life yet how often do we connect with our breath outside of a yoga class?! Become curious about how you breathe in the same way you would in a yoga class; tune in to your breath several times a day, notice the quality of its natural flow, and see how it changes at different times. The quality and flow of your breath will most often reflect how you are feeling internally, so if you need to, use that awareness to deepen and steady your breath to feel more centered and calm. This is particularly awesome if you are on your way to an important meeting, interview or appointment.


2. Notice The Position Of Your Body

 

You don’t have to be in a yoga pose to notice the position of your body and how you naturally stand and move. Think about the way your yoga teacher guides you to become more aware of your alignment during an asana, and use that same sense of awareness as you move throughout your day. You may be quite surprised at some of your habitual ways of holding and moving your body.
Next time you’re waiting in line for coffee, instead of pulling out your iPhone to check your emails, why not tune in and notice what’s going on with the position of your body? If you favor one side as you stand, make adjustments and come back to a place of balance. If you hold unnecessary tension in your jaw, shoulders, or hands, then use the breath to soften and let go.

3. Create Space For You

 

One of the reasons so many people love yoga, is that it gives you an opportunity to take time out just for you. Taking that time for you sends a powerful message to your subconscious that you value yourself and your well-being — this will do wonders for your self-esteem. And you don’t even need to set aside 90 minutes of “me-time” to reap the benefits, as even just 10 minutes will have a positive effect!


Perhaps you take a morning tea break even if you’re really busy at work, perhaps you get up 5 minutes earlier and do one yoga pose before breakfast, or perhaps you enjoy a nice hot bath instead of a quick shower when you get home. You really don’t need to wait for a yoga class to create that space for yourself.

Thursday, September 17, 2015

Tip of the Week: Keep Wrists Straight in Pranayama Breathing

Pranayama Breathing is the first breathing exercise we do as we begin class to expand the lungs, stimulate circulation, and wake up the muscles and the entire body. 

Our tip this week comes from our teacher Sara to remember to keep our wrists straight, especially on the inhale. On the inhale we lift our elbows out to the sides until they stretch up to the sides of our head, allowing our forearms and back of the palms to naturally frame our face. In trying to frame the face, sometimes students will bend the wrists to keep the hands close to the face. This actually keeps the shoulders and fingers tight, and makes it harder to lift the elbows to the ceiling. Many people think that in order to eventually have your forearms touching the sides of your head, it's all about the flexibility in your shoulders. But the key is actually in having flexibility in your fingers as well. By keeping the wrists straight, your fingers are able to flex more, as well as your shoulders being able to open up more. 

In the photo on the left, Sara has her wrists bent, making it difficult to flex her fingers, open her shoulders and lift her elbows. In the photo on the right, her wrists are straight making it easier to lift her elbows with the backs of her palms and arms framing her face.

Even if you are unable to lift your elbows very far, always keep your wrists straight. Over time you will gain more flexibility to be able to bring them up higher. 

Wednesday, September 9, 2015

Tip of the Week: How Far to Go into a Stretch

When practicing the postures, it is important to "find your edge" or experience the balance of not going so far in a stretch that you cause injury, but going far enough that your body is challenged. The following is an excerpt from the book "Yoga, the Spirit and Practice of Moving into Stillness" by Erich Shiffmann.



A large part of the art and skill in yoga lies in sensing just how far to move into a stretch. If you don't go far enough, there is no challenge to the muscles, no intensity, no stretch, and little possibility for opening. Going too far, however, is an obvious violation of the body, increasing the possibility of both physical pain and injury. Somewhere between these two points is a degree of stretch that is in balance: intensity without pain, use without abuse, strenuousness without strain. You can experience this balance in every posture you do. 

This place in the stretch is called your "edge." The body's edge in yoga is the place just before pain, but not pain itself. Pain tells you where the limits of your physical conditioning lie. Edges are marked by pain and define your limits. How far you can fold forward, for example, is limited by your flexibility edge; to go any further hurts and is actually counterproductive. The length of your stay in a pose is determined by your endurance edge. Your interest in a pose is a function of your attention edge. 

In daily life, we tend to remain within a familiar but limited comfort zone by staying away from both our physical and mental edges. This would be fine except that as aging occurs these limits close in considerably. Our bodies tighten, our range of movement decreases, and our strength and stamina diminish. By consciously bringing the body to its various limits or edges and holding it there, gently nudging it toward more openness with awareness, the long, slow process of closing in begins to reverse itself. The range expands as the edges change. 

Sensing where your edges are and learning to hold the body there with awareness, moving with its often subtle shifts, can be called "playing the edge." This is a large part of what you'll be doing in your practice. Your skill in yoga has little to do with your degree of flexibility or where your edges happen to be. Rather, it is a function of how sensitively you play your edges, no matter where they are. 

This is a very freeing idea. Normally, we have an idea of how the posture "should" be. We have ideas about how deep we should be able to go into a pose, what we should look like while we are there, and how long we should be able to stay. We are often more aware of where we aren't than of where we are. 

This idea of the "completed" or "ideal" posture as a specific destination somewhere in the future is often a lurking presence in the back of our minds as we do the poses. Because of this, there will necessarily be a gap between where you are in the posture and where you think you should be. This gap, more often than not, contains a subtle frustration, a conflict, a feeling that where you are is insufficient - or worse, who you are is insufficient - and that if you were truly doing yoga properly and were a "good" or "evolved" person, you would be somewhere other than where you are. If this is the case, your practice will be permeated with the effort of going somewhere else. It will be future-oriented, the present moment being significant only as a stepping stone to the future. And you will miss being present. 

Envisioning the postures in advance can yield dramatic results, however. And watching someone else do an advanced and difficult posture that you would like to achieve can be especially helpful, both because you see it is possible and can be performed with ease, and because your nervous system - simply by watching - receives a tremendous amount of nonverbal information about how to perform the pose correctly. Having that information in your nervous system and the back of your mind as you practice can make that pose easier for you, as long as you use it as a general guideline that you understand will be expressed differently in your body. The way to realize these changes is by focusing your attention on the process of what you are doing. This involves flirting with the tight spots, your edges, with sensitivity and attention. 

The main thing to understand is that there is no such thing as a "completed" or "ideal" posture. Each posture is an ever-evolving, constantly moving energy phenomenon that is different from day to day, moment to moment, and person to person. The process of sensitively flirting with your edges and achieving perfect energy flow is not merely the means to achieve the pose - it is the pose. 

This is what the physical aspect of yoga is fundamentally all about. Your body is limited in movement not only through its genetic makeup, but through the conditionings that have accrued over the years. As you age, this becomes more and more apparent. Yoga is a way of exploring these limits. It's not a matter of "How can I attain this or that final posture?" It's a matter of gently pressing into the various edges you encounter within the template structure of each particular posture. And your edges and limits will change as a by-product of this exploration; you will change. 



Intensity and Pain 

You should never be in pain as you practice yoga. Your practice should not be a painful ordeal, but rather an expression of joy. Pain is most easily defined as any sensation you do not like, and it always invokes a natural withdrawal mechanism. When you put your hand on a hot stove, for example, instantly you take it off. Before you're even aware that your hand is on the stove, it's off. This is built-in self-protective device. 

The same withdrawal mechanism is activated whenever a yoga stretch begins to hurt. Muscles clamp down and contract in order to protect themselves from overstretching. They are suddenly less willing, fearful, and they resist the stretch - naturally. And they do this, to whatever small or large degree, before you are even aware it's happening. This is blatantly at odds with your initial intention to stretch, open, and expand your physical boundaries. Therefore, by pushing into pain you are actually working against yourself. One foot is on the accelerator, and one foot is on the brake.

Pushing and working hard are frequently appropriate and can be thoroughly enjoyable at the right moments, but they should never result in pain. You may want to approach pain and get near it, but not actually be in it. You want to be in the place where it "hurts good," where you know you are dealing with what needs to be dealt with - the contracted parts of your energy field - but where it not so intense that you resist, tighten up to protect yourself, or prevent yourself from going too far.


The ideal state for practice is to be as willing and relaxed as possible, as nonresisting  as possible, so that one part of you is not in opposition to another. You can then comfortably press your edges open. The practice becomes one of be relaxed  and willing at your deeper edges; and this isn't necessarily easy. It's difficult to stay relaxed in the midst of a high-intensity stretch.

You want to stay within your comfort zone where you are safe and, at the same time, press into the various tight areas. By pressing, stretching and breathing  into your tight areas, you can ease them open, thereby expanding the boundaries of your comfort zone.  It's like being inside a bubble and gently pressing outward from inside to expand its shape, so that you experience more space and comfort within the bubble.

Pain lurks just beyond your deepest edges as a reminder that you have gone too far. It's important for anyone who spends time nudging edges open with yoga to have a healthy understanding of pain - and to have a feeling for the distinction between pain and intensity.


The word pain actually stands for a variety of different possible sensations ranging anywhere from sharp and intense to subtle and dull. Physical pain may arise from a variety of causes, a pulled muscle, for example, or from a stretch that is too intense. Psychological pain often involves the feeling that you are in a place you don't like, doing something you would rather not he doing.


Herein lies one of the reasons for the frequent confusion between intensity and pain. A powerful stretch, whether or not you have gone too far, will generate an intense sensation. Someone who is not used to intensity or is excessively worried about getting hurt may be afraid of the intense sensation and resist it. Resisted intensity becomes pain. Therefore, even relatively mild levels of intensity can be experienced as pain if you go beyond your psychological edge.

If fear prevents you from going deeper or staying longer in a posture, it is wise to avoid overriding the fear by being brave or courageous, since this makes injury more likely. Instead of pushing past psychological limits, open more slowly by finding a less intense level of stretch just before fear enters. Hold the position there as you deepen the breath, relax, and acclimatize to the stretch. By playing the edge of fear like this, you never have to experience psychological discomfort.


This can have a very profound influence on all aspects of your life. One of the things you learn in yoga is to enjoy working with intensity. Intensity is simply more "energy" at any given moment, more feeling. Happiness and sadness, for example, can both be experienced with more or less intensity. If you are unable or unwilling to deal with an increase in intensity, however, not only in your yoga but in your daily life as well, your range of life experience will necessarily remain limited and narrow. Yoga can teach you to enjoy and learn from a broader range of experience. It will encourage you to seek out and process more intensity. The more you do this within the safe arena of yoga practice, the more it will influence all of your life. This is not as intense as it may sound. More intensity isn't even noticeable as you become strong and open.


This has two distinct advantages. First, you will be able to allow more pleasure into your life. More good will come to you because you are open and receptive, no longer pushing it away. You will experience more joy and find yourself able to handle the heightened intensity of happiness. Haven't you noticed that even in the midst of joy, something you thought you wanted, there is often a part of you that wants to turn it off? Or at least turn it down a bit? It's difficult to handle intensity of any kind, even if you like it. Yoga can change this for you forever. As you are able to generate more energy and process more intensity in the poses with enjoyment and full willingness, you will correspondingly be able to receive and process more goodness in your life. 

Secondly, yoga teaches you to experience the so-called "negative" emotions and intensities without being overly disturbed by them, without having to run away from them. They will feel less intense than they previously would have. You will then be able to learn from the "bad" and painful experiences in life without being bowled over by them. And therefore, because your full range of life experience is being broadened and enlarged in all directions, you are now able to learn from both the "good" and "bad," making your life that much richer. 

It is important to learn how to generate voluntary intensity deliberately and willingly, by deepening the breath, increasing the current, strengthening your lines, and flirting with the various edges that arise in each pose. This is best learned in postures that are easy for you. In these postures any intensity you experience is largely self-generated. Learn to create voluntary intensity in these easy poses and in the early stages of any pose you do, and then delicately press into your tight areas in order to nudge them gently to greater openness. This will prepare you for the intensely pleasurable sensations that come with the territory of advanced yoga. Intensity is pleasurable when you are prepared for it, when you are able to let go into it; it becomes unpleasant when you resist it or generate too much. Skill in yoga involves creating the perfect amount of intensity - not too much, not too little. 



Every pose has a "minimum edge" and a "maximum edge," as well as a series of intermediary edges between these. Most of us are aware of the maximum edge; it is the easiest to detect. This is the point where the stretch begins to hurt. it is the furthest point of tightness beyond which you should not go. If you were to force yourself beyond this point, you would definitely be in pain and might easily hurt yourself or pull a muscle.


The minimum edge is where you sense the very first sensation of stretch, the very first hint of resistance coming from your muscles. For example, bending over and touching your toes may tax you to the maximum, but about halfway down (or less) you can sense the first edge. This is where you initially become aware of a stretch. 

It is important to be aware of your very first edge, your minimum edge. Taking your time to open that edge is like preparing to go through a series of gates. You must go through the first gate before you can go through the second, and the second before the third. The real key to depth in postures is going slowly, making sure you have thoroughly opened your early edges. 

As you come into a pose, look for your very first edge. Do not rush past it. When you feel that edge, stop. Stop moving, deepen the breath, clarify your energy lines, and wait for it to open. You will know the first edge has opened when the sensations of stretch begin to diminish. At that point you will naturally want to go deeper into the posture. Rather than having to push your way in, you will feel drawn into the pose. As you are drawn deeper, a new edge will soon appear, and the sensations of stretch will come back. Wait for the sensations at this new edge to diminish before going deeper.

Do this over and over. Wait for the sensations of stretch to diminish somewhat and then go deeper. It will feel as though you are sneaking into the pose, not barging your way in. Proceed slowly, edge by edge and gate by gate. Apply pressure and wait for the musculature to open. Then you can move deeper into the pose, apply more pressure, all the while orchestrating the tone of the pose with the breath and current, again waiting for the musculature to open and the sensations of stretch to diminish. Continue working like this until the musculature will no longer release. Then stay where you are and be motionless. Retain the sense of energy and stretch, and release every hint of strain. Be as relaxed as you can be; do and don't-do. When you sense that it is nearly time to come out of the pose, delicately accelerate your energy for a moment. Finally, release the stretch altogether and come out of the pose.


While you are at each new subsequent edge, deepen the breath, define and clarify your lines, and pay close attention to the actual feeling of the stretch. Keep tabs on whether you are enjoying yourself or not. If not, why not? Find a way of doing the pose that is enjoyable. And then be interested: Are the sensations of stretch increasing? If so, it's a sign that you are too deep in the posture and should back off a bit. Are the sensations staying the same? If so, stay where you are, deepen the breath, and wait for the sensations of stretch to diminish. And when the sensations of stretch have diminished somewhat and you are able to relax with intensity, you will instinctively know it is time to go deeper.

Proceed step by step, edge by edge, paying close attention to what you are doing, being sensitive to the changing sensations of stretch. Remember, yoga is essentially an awareness process wherein you attend to these subtle shifts in sensation and feeling. The attention you give to these changing sensations of stretch is what exercises and develops your sensitivity. You will become sensitive to subtler and subtler sensations. 

When the sensations of intensity no longer diminish at the new edge, it means your muscles are not yet ready for a stronger or deeper stretch. You can flirt with these tight areas by pressing into them gently, by changing the strength and character of your breathing, by increasing and decreasing the current in your lines, by staying in the posture longer, or by doing several repetitions of the pose - but do not force your way through them. Respect your tight edges. Work with them sensitively. Lure them to greater openness. 

The more you do this, the better you'll get at it. Instead of telling your body when to move or what to do, you're learning to wait until it's ready. You wait for the inner feeling to tell you when to move. You listen for the inner cue to action, and this becomes easier and easier to detect. When you feel the energy flowing freely and the sensations of intensity beginning to wane, that's the sign. If you go too fast, however, the sensations will increase instead of diminish. There will be pain - a roadblock to the free flow of energy. This is feedback that you have gone too deep, too fast, too soon. Be interested in the feedback you're receiving from your body while you are in the pose.

Let's take an imaginary pose and rate it from one to ten. "One" is the beginning of the pose. "Ten" is as far as you can go before reaching pain. There is no pain in the one-to-ten range, though the sensations of stretch will become increasingly intense as you approach ten. Anything beyond ten we will not consider. 

As you proceed from one to ten, the intensity will gradually increase.  At one you will not feel much, but somewhere around two or three you will feel your first edge. Most of the time we rush past these early edges, looking for the real stretch deeper in the pose. It's important, however, to find your first edge and acclimatize yourself there before deepening. It is the opening of this early edge that allows the later, deeper openings to occur. If your early edges are not fully open, your body will not be ready for the intensity of the deeper extensions. Somewhere around Eight or nine and inching into ten is what 1 would call your maximum edge, the deepest extension or degree of intensity you are now capable of sustaining without pain or discomfort. Remember, never push yourself into pain. 

If your limits in a posture are marked by pain, and if the intensity of the stretch continues to increase as you come closer and closer to your maximum edge, how do you tell the difference between pain and intensity? Easy! The answer is obvious. If you do not like the sensation and you do not want to be there, it's pain. It's totally up to you. This is your yoga. You are not here to punish yourself or do something you don't want to do. You are learning to generate an intensity that is attractive, pleasurable, that you like and want. It's something you are actually looking for. At your maximum edge, just before pain but not in pain-is an intensity that is extremely pleasurable. Therefore, go slowly. Take your time. Don't miss that perfect point. Increase the intensity of the pose gradually and deepen the pose with care. This will teach you to enjoy and assimilate greater amounts of energy and intensity. 

The feeling-tone of a perfectly orchestrated strong stretch at a deep edge has a seductive quality to it. It's intense, pleasurable, exhilarating, and invigorating. Your body will like it. This should not be surprising, however, because by stretching your body to full openness, you are freeing yourself from the constraints of] tightness, contraction, and pain. You are increasing your internal energy flow, flushing new life through your system, opening and nourishing yourself at very deep levels; and all of this is good for you and therefore feels good. But if you unawarly press too deeply, too quickly, into a posture, then the pleasurable and attractive sensations of intensity will become painful and unattractive. If you happen to go too far into a stretch - "too far" meaning you do not like it - then ease out of the pose until you do. Center yourself in your breathing, regain composure , and then slowly go in again, being more careful this time. 

Be clear about this: If you start not liking the stretch for any reason, then move out of the pose until you find a place you do like. Reasons for not liking where you are can be physical or psychological. You may be stretching the muscle too much, or you may not be in the mood. Either reason is valid. Never be in ~ place you don't want to be. If volt do not like it, change it. Adjust Find the degree of stretch you can totally immerse yourself in. 

Sometimes you will want to flirt more seriously with your various resistances and with the common reluctance to stay with an intense, and perhaps uncomfortable, sensation for an extended period of time. But doing this when you want to do this is different from doing it when you do not want to. If you avoid feedback and spend a lot of time being uncomfortable or in pain, you are not going to enjoy doing yoga. You will not look forward to your practice. You will not be working with the principles of opening. And by encountering unnecessary tension and resistance, you will not be doing your body any good, either. 


Edges, Breathing, and Wholeness 

Since your movements and stretches will be coordinated with your breathing ("Move when you breathe, and breathe when you move") the most subtle and sensitive way to play your edges and fine-tune the feel of your stretches is with your breathing. Without the sensitive use of your breathing, your stretches cannot be precise. The muscles and lines are not sensitive enough in themselves, nor sufficiently delicate, to fine-tune a stretch accurately. 

The overall feeling in your muscles and body is the sound of yoga. The sound is a feeling, a tone, a feeling-tone; it's very much like singing a note. And if a particular line of energy is not tuned just right, it will either feel "flat" or "sharp." Continual readjustment is necessary to stay perfectly tuned. I usually create a line of energy that is slightly flat, just below perfect tension and with low current. I then deepen the breath as I increase the current to fine-tune the line. This enables me to press delicately into an edge from the inside out without invoking the stretch-reflex withdrawal mechanism; and if I happen to go too far, I soften my breathing, back off the edge somewhat, decrease the current in my lines, then try again. In this way it is possible to create a strong current of energy in any given line, or flirt with a maximum edge, or perform a difficult and advanced posture without forcibly pushing beyond physical and psychological edges. The moment you do that, remember, your intention will fragment, and your attention will wander. You will begin to resist what you are doing, part of you wanting to continue and part of you wanting to stop. 

The hallmark of practicing yoga properly, however, is wholeness, wholeheartedness, not being in conflict. The idea is to generate wholeheartedly the optimum intensity of energy by consciously creating an increase or decrease in current. You then use this energy to extend your boundaries and limits, to expand your comfort zone, basically - both physically and psychologically speaking. Yoga is not about "pushing through the pain," "overcoming the pain," "no pain, no gain," or about being excessively willful. If you are having to be brave and courageous in order stoically to withstand excessive intensity, you are pushing too hard. You are forcing the issue, fighting. Never fight yourself. Yoga is not about fighting. There is no advantage to this and there are many disadvantages.  Ease up when necessary.  Intensify when appropriate.  Practice skillfully. 

The optimum degree of intensity is the amount that elicits your fullest attention; sometimes this will be a lot, and sometimes this will be a little. The correct amount is the amount that helps you be one-pointed and whole. It is the amount that feels perfect to you now. Too much is a strain, and too little is not sufficiently interesting. Your mind will wander in either case.  Getting "better" at yoga means getting better at generating the perfect degree of current, intensity, breath, and feeling so that, in that moment, you are consciously one with what you're doing - whole, not conflicted, and exactly where you want to be. 

Therefore, learn to be more interested in the feeling-tone of your body than in how deep you are in the posture. Learn to create an energy flow that is attractive to you. Do this by pressing into your edges with the perfect degree of current and the perfect pitch of breath. Realize this is not a function of how flexible you are. A stiff body can do this just as beautifully as a flexible one. The beautiful inner music - the inner feeling - is the yoga, not the achievement of elaborate postures. And be assured, your body will grow more beautiful and become strong and flexible by being played beautifully.


This is where the concept of push and yield most meaningfully displays itself. The art of yoga lies in how well you play your edges, how delicately you flirt with your limitations, how well you lure yourself deeper into the postures, how sensitively you balance the desire to achieve results with the relaxation of non-desire and surrender, and how thoroughly you immerse yourself in the process and enjoy what you are doing. And again, the primary tool you use is your breathing. Your breathing orchestrates the feeling-tone of the poses as it brings them to life.


Keep in mind that the various poses are like maps into your body. Having a map, however, does not infer a specific goal or a predetermined destination of where you should be in the pose. The idea is to use the map to explore - to look deliberately for tight, blocked areas within yourself - open them, and thereby create lines of clean energy flow. This requires that you be delicate, deliberate, and exact, not in the sense of "blueprint," but in the sense of being increasingly inwardly sensitive for the specific alignment and intensity of stretch that feels most right. This entails pressing for greater depth in the poses, greater openness, yet also remaining passive and yielding. You knock on the door, breathe, wait, then go deeper when the musculature lets you in.


Use your breathing and energy lines to nudge into your edges, being watchful and patient. Do not barge in, but also don't just remain passive. Apply pressure in specific areas, increase the intensity gradually, breathe, and wait for them to release. Lovingly persuade the tight areas to open, breath by breath by breath. Communicate nonverbally to the various tight areas that it is in their best interest to relax and open. Do this by finding easy places in the poses where you can establish an energy flow, then bring this flow into the contracted area.


Again, never push yourself into positions that cause you to resist the stretch physically or emotionally. Always start from comfort and safety, and only increase the stretch after you're comfortable where you already are. Then feel free to go after your deeper extensions and stronger stretches. Use as much ambition and desire as you want. Push as much as you want. Let go as much as you can. But learn to do all of this with sensitivity. Deepen the breath and increase the force in your lines at relatively easy stages, then wait and be patient. Your body will open and let you in when it's ready. By staying at easy stages of the pose longer, you will increase your strength and endurance. You will need these in order to hold the increased flexibility that will accrue through time and practice.


Skill in yoga is a matter of harmonizing your breathing with your energy lines as you flirt with your edges. It's a matter of getting all three just right, of changing them when necessary, and of adjusting and readjusting in order to create the feeling-tone that is the most attractive to you in that moment. It's a matter of adjusting the tension and stretch of your muscles, and the pitch of your breathing, to produce the perfect feeling-tone. You can make it exquisite. The more perfect it is, the more one-pointed and focused your mind will be.

Wednesday, September 2, 2015

Tip of the Week: Bend the Arms to Release the Neck in Backbends




One of the big problems with backbends where the arms are extended up above the body is that there is way too much tension in the shoulder, head and neck area. What MUST go hand in hand with straight arms is shoulders down and back away from the ears and neck long. 

When coming out of the side bend in Half Moon, most will just straighten the arms, stretch up and then go back. Instead, inhale back up to the center. Now instead of straightening the arms, BEND them a little for a moment as you lengthen and soften the neck, and relax the shoulders. The arms only need to bend enough to feel your shoulders move down and your neck lengthen. You can feel how everything is free there. NOW you will drop the head backward and feel the stretch on the front of the throat. Your arms can still have that slight bend. You should feel a freedom and ease and perhaps more than you ever have in this position. Now you can lengthen the arms and straighten them. 

When you come up from your left hand side Half Moon: 

*Bend your arms a little. This will soften your neck. The arms only need to bend enough to feel your shoulders move down and your neck lengthen. 

*Keep your arms bent while you drop your head backwards.

  
*When your head is safely back and you are looking backwards (not up!), first make sure legs are locked. Then push the hips forward, inhale and lengthen your torso, lift up through the chest, and lengthen and straighten the arms (still with head back).

*Then go into your backbend as you exhale.


*When you’ve managed to go back as far as you can and you feel any resistance in the neck, simply stop, bend the arms for a moment as you feel your neck relax again, lengthen the arms gently and continue on your path.

For more tips on backbends, click "here". 



Wednesday, August 19, 2015

Tip of the Week: How to do Toe Stand

Below is a great graphic from yogabycandace showing some helpful tips on Toe Stand. 




Today we're looking at Toe Stand, a humbling pose that really tests balance. I find the trick is to avoid resting all your weight on the grounded leg's calf muscle. Instead, press into the standing foot until you feel a lift in the body as if you could just effortlessly rise to stand from the toe stand position. 

A few tips: It's important that you only go into toe stand when you're ready. You'll know you're ready when the lifted leg's knee is comfortably in line with the standing leg or close to it (rather than feeling pulled forward out of alignment with the standing leg). I'd also say to avoid this pose if you have knee issues.

Tuesday, August 11, 2015

Tip of the Week: How to Get a Flat Stomach with Bikram Yoga

It's no big surprise that the most popular post on our blog is "How to Get a Flat Stomach with Bikram Yoga". We thought it would be worth re-posting as this is a good read!


The belly is a prized area of the body for many men and women. When fat appears for various reasons, people are often led to exercise as a means to get rid of it.

Spot reduction of problem areas doesn't exist; if you only perform exercises that strengthen certain anatomical areas, you won't reduce abdominal fat. You need to eat healthy foods and perform regular aerobic exercise to lose all-over body fat. Performing the entire Bikram series will offer the overall health benefits this style of yoga provides with consistent practice, including a toned midsection.

One question that we often get from both new and old students alike is “Where are the abdominals in Bikram yoga?” It’s going to be different for each person and you certainly have to exert the effort and do the proper form to work the core (in any exercise – even crunches!). Regardless of the posture you perform, you should always engage your abdominals! What you’ll find is that Bikram is a nearly 90 minute ab workout!
  • Pranayama: in breathing, the stomach should be sucked in on both the inhale and the exhale; core strength is used to push the air out of the lungs and keeping the stomach in on the inhale helps the lungs work harder to fill, increasing your lung capacity.
  • Half moon: Half Moon pose strengthens all of the core muscles located in the abdomen and the sides of the torso and releases energy from the spine to prepare you for the rest of the Bikram series. Half Moon pose is the first pose of the Bikram series and is particularly beneficial for strengthening the abs. The first part of the pose prepares you for the backbend in the second half, which mimics the gut-busting reverse crunch, one of the top exercises used to tone the belly. With regular practice as part of a whole-body workout, expect the Half Moon to tighten your lower abs, waistline, buttocks and thighs.
  • Awkward: four times in this posture (in parts 1 and 3), the dialogue says something to the effect of “suck it in.” When you’re sucking it in that hard and trying to keep a straight spine, you can’t help but do some work in the abdominal muscles!
  • Eagle: twice here the “suck it in” revisits. Right before you sit and at the end of the posture.
  • Standing Head to Knee: another forward bend so definitely suck the stomach in before rounding down to grab your foot. Another benefit – the tighter you suck your stomach in, the easier it feels to tighten up your glute muscles and leg muscles.
  • Standing Bow: opens the diaphragm and lungs to improve circulation. When you properly engage your abs, this ordinarily difficult pose becomes easier; however, it may take several tries before you can balance successfully. When practiced regularly, this pose firms the abdominal walls, helping tone the upper and lower abdominals as part of a full-body workout.
  • Balancing Stick: every single muscle should be contracted in this posture, including the abdominal muscles!
  • Standing Separate Leg Stretching and Standing Separate Leg Head to Knee are both forward bends so suck the stomach to the spine as you go into them and then challenge yourself to keep it held in the whole time. The constant trying to keep it in is a great ab workout.
  • Triangle: trims the waistline as you use your abs and constantly lift from the lower belly.
  • Toe Stand: forward bend! Suck it in!
  • The Situp: need I say more? Ok, keeping the heels on the floor helps the situp work more of the lower abdominals as well
  • Spine Strengthening Postures: We tend to let our bellies relax in most of these and focus on our spine. But a strong spine must be balanced with a strong core. Cobra, Locust, Full-Locust, and Bow are just the poses to tone your entire midsection. And remember that a "tight body is a light body". The more you tighten your core, the easier it will be to lift off the ground.
  • Half-Tortoise: Oh yah, this is where it’s at. The whole way into and out of this posture, when you’re slowly lowering your body down or slowly bringing it back up with a straight spine, the core muscles should be working HARD.
  • Rabbit: the extra dialogue in this one definitely calls for sucking it in and depressing the abdominal wall (also another forward bend).
  • Separate Leg with Stretching: a forward bend where you curve your spine; sucking the stomach in on this one really helps you get your head closer to your stomach (more compression = more medical benefit!).
  • Spine Twisting: the more you suck your stomach in, the easier it will be to twist.
  • Blowing in Firm: the dialogue clearly states that this one is good for the abdominal muscles. You should even feel a little cramping in the abs as you do this one from using them to quickly blow the air out of the lungs.


Tuesday, August 4, 2015

Tip of the Week: Having a Hard Time With the Heat?

The following from Well+GoodNYC sheds some light on why you might have more of an issue with the heat than your Bikram-obsessed BFF.


Since hot workouts have become more and more popular, we’ve noticed a phenomenon: Some devotees point and tuck perfectly as sweat rolls gracefully down their smiling faces, while some of us wave the sweat-drenched towel of surrender on what’s usually a light 5K run as soon as the heat sets in.

So we asked Canyon Ranch exercise physiologist Jeffrey Dolgan (based in Miami, where they know heat!) for his expert take on why some fitness buffs can’t take the heat, and what to do if you’re one of them. Here’s what he had to say:

WHAT COULD BE SLOWING YOU DOWN?
1. Your body fat—and height—could be making you melt during a workout. There are several anatomical and physiological differences in people that allow some to deal with heat better than others,” says Dolgan. The first is body surface area. The more you have, the better you’ll be able to dissipate heat through your skin. Evolution takes this into account. “Alaskan Eskimos are generally vertically-challenged and wide-framed (to conserve heat), whereas Egyptians are tall and lanky (to help dissipate heat),” he explains. So, being short will hurt you here, as will having a higher body fat percentage, or too much “insulation.”

Drink water...lots of it!
2. Gender (unfairly) matters. Men have more numerous and larger pores, so they’re able to sweat more, making it easier to handle heat (ugh!).
3. Consider your cardio capability. “A person with a fitter respiratory system can breath more effectively and has a more responsive perspiratory system, making it easier to remove heat from the body,” says Dolgan.
4. Dehydration. The body’s ability to cool down is drastically impacted by dehydration, so keep your coconut water close.
5. Get fit at normal temperatures first, then hit the heat. “Going from not exercising to trying to run in 98-degree weather with high humidity is like living at sea-level and then expecting to be able to breathe comfortably at the top of Mt. Everest,” says Dolgan.  

CAN YOU TRAIN FOR THE HEAT?
You might be able train your body for workouts in higher temps by scaling back on what you know you can do in more moderate ones. (You may have to train your pride a bit, too.)
And every Bikram instructor will tell you the same thing: The more you work out in the heat, the more acclimated your body will become. If you can tough it out for a bit, you’ll breathe easier soon enough. —Lisa Elaine Held

Sunday, July 26, 2015

Tip of the Week: Stretch Your Pinky Toes Back



 2015 Utah/Wyoming USA Yoga Asana Champion Nella Holden


When pulling on your flexed feet with your hands during Janushirasana (Head to Knee Pose), and pulling on your big toes with your first and second fingers during Paschimottanasana (Stretching Pose immediately after Head to Knee Pose), focus on actively stretching your pinky toes towards your body. Our natural tendency is to stretch our big toes back towards our body, causing our feet to go out of alignment. By instead focusing on stretching the pinky toes towards us, we are better able to keep our feet and ankles in alignment. Stretching the pinky toes back also helps to engage the outer quadricep muscles which in turn helps to straighten the legs, lock the knees, and bring the heels off the floor. If you're unable to straighten the legs during these postures yet, try stretching the pinky toes back and see if that helps to bring your legs just a little bit straighter.

Sunday, July 19, 2015

Tip of the Week: Work Your Logical Brain with Yoga


Awesome video from brainboostcamp on how to give your logical brain a great workout with yoga! 

"Our aim with each posture is to challenge and train the logical brain (the prefrontal cortex) to achieve long term improvements in its ability to redirect attention and thoughts and suppress the emotional brain. This training will raise the threshold at which our emotional brain triggers a stress response in any situation. We can increase the load against which our logical brain has to train by including stretching, muscle contraction and backward bending, all of which may temporarily raise the 'tense' signal. Regular practice at this can result in longer term improvements in attention control and the avoidance of rumination. 

There are four aspects of yoga postures that will help achieve this, as this short video shows. If a series of yoga postures meets these criteria, you are likely to be giving your logical brain a great workout!"

Tuesday, July 14, 2015

Tip of the Week: Fix Your Neck During Pranayama




Today's tip comes from Gabrielle at Hot Yoga Doctor:

What do you do if you have a neck ache that prevents you from doing Pranayama to start with? Sitting out is an option but (besides being awkward and annoying) what if I were to give you a technique to fix your neck DURING Pranayama?
Yep, it works in many, many cases. Just be careful to follow these crucial and precise directions, and listen to your body.

You already know the basic Pranayama 101 rules:

  • That you have the hands at the chin and you move the elbows up and then together in front of you.
  • And you know that you move your head back and forth. And you know you’re supposed to coordinate these 2 activities.
  • So you know you inhale as you raise the elbows and bring the chin back to parallel with the floor.
  • Then you exhale and push the fingers into the chin to push the head backwards while bringing the elbows together.
Once you understand the many, many nuances you can get through Pranayama, and really deepen your breath and get a stretch.

Now to get one huge leap further and fix your neck takes some attention.

Simple … IF you’re actually doing it consciously

It sounds simple. In fact I warn you now. You’ll probably read the following paragraphs and say to yourself “I am already doing that”. But you actually are not. You’re doing something that seems similar. This technique really needs you to be super conscious and attentive of head/hands connection, 100% of the time. Not just drifting in and out of that mindful attention. I am serious. So please, stay open-minded.

When you press the fingers against the chin instead of allowing the neck to be pushed back easily, press back strongly with the chin to RESIST the movement, and slow the movement of the neck backward and forward … right … d o w n.

In other words consciously press the chin into the hands as the hands press the head backward. Then press the jaw into the fingers as you lever the elbows back up again. Make it active rather than passive. If you think you’re doing this, then it’s likely you have constant contact, but I can guarantee that you can quite massively increase those reciprocal forces … otherwise this will simply not work.

Most people have the contact (most of the time) but it’s pretty passive. This action takes a lot more attention. Mark my words, this is placing a new focus on the interplay between head and arms. It also takes more energy and can (aka will) make Pranayama quite a lot more tiring.

When I have had a neck ache from sleeping funny, if I pay attention to the active pressing and resisting of head and hands I can feel the kinks iron out from 1 to half a dozen cycles. Conversely, if I just try Pranayama without this technique, I literally cannot participate.

For a video on Pranayama breathing, click "here".